The Walter Winchell Show [#1] (commentary)
(ABC Sunday nights, 1952 - 1955)
[The hard-charging 1940's reporter whose riveting combination of
gossip and commentary had made him a fixture on network radio,
with his teletype-punctuated delivery sounding as if everything
he reported had earth-shattering importance, didn't make the
transition to network television very well.
He was given three seasons on ABC to try to attempt to make
a transition. But this simulcast of his radio show was a
curiousity that didn't really work in the format of a TV
Sunday-evening "news" show. By that time, TV news was becoming
more sophisticated, including filmed stories and more factual
reporting.
So eventually the aging Winchell quit over a confrontation
with a network news executive who tried to mold it into what
was needed for the new medium.
Winchell got other chances -- a short-lived NBC variety show
in which he tried to be an "Ed Sullivan" introducing the acts.
But the public didn't seem to accept him in that role, and
frankly his true personality was starting to come out, and
it wasn't a nice picture.
Winchell tried a filmed show later with his pals at Desilu
for whom he had narrated "The Untouchables" series. "The
Walter Winchell File" (1957 - 1959) was a typical crime
drama, which did have better luck -- airing for one season
on ABC, and then another season or two in syndication.
As the 1950s drew to a close, this 1940's radio legend had
found he was viewed more as a caricature of his former self,
whose role on the world media stage had worn out its welcome.]
Sounder: [Teletype sound effect]
[There was no music theme for the series. Instead Winchell
produced a simulated Morse code sound with a teletype key
and a practice code oscillator. He verbally introduced the
show on radio and television with his famous signature line,
"Good Evening, Mr. and Mrs. North and South America and all
the ships at sea -- let's go to press..."
No one confirmed that too many ships at sea were receiving
his gossip and commentary, since the Morse code he generated
was garbage code for the dramatically urgent effect.]
Source: No composer--sound fx only
1978 Publisher:
2001 Publisher:
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